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8 January 1836 – 25 June 1912. Most renowned painters.

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CLEVE, Joos van
The Lamentation of Christ with the Last Supper(predella) and Francis Receiving the Stigmata(mk05)

ID: 20261

CLEVE, Joos van The Lamentation of Christ with the Last Supper(predella) and Francis Receiving the Stigmata(mk05)
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CLEVE, Joos van The Lamentation of Christ with the Last Supper(predella) and Francis Receiving the Stigmata(mk05)


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CLEVE, Joos van

Flemish Northern Renaissance Painter, ca.1485-1540  Related Paintings of CLEVE, Joos van :. | Portrait of Agniete van den Rijne fdg | The Virgin and Child with a Dominican (mk05) | The Holy Family fdg | St Anne with the Virgin and Child and St Joachim gh | Death of the Virgin df |
Related Artists:
Dirck van Baburen
b.c. 1595, Utrecht, Netherlands. d.Feb. 21, 1624, Utrecht Dutch Dirck van Baburen Gallery
Dirck Bouts
Haarlem ca 1420-Louvain 1475 was an Early Netherlandish painter. According to Karel van Mander in his Het Schilderboeck of 1604, Bouts was born in Haarlem and was mainly active in Leuven (Louvain), where he was city painter from 1468. Van Mander confused the issue by writing biographies of both "Dieric of Haarlem" and "Dieric of Leuven," although he was referring to the same artist. The similarity of their last names also led to the confusion of Bouts with Hubrecht Stuerbout, a prominent sculptor in Leuven. Very little is actually known about Bouts' early life, but he was greatly influenced by Jan van Eyck and by Rogier van der Weyden, under whom he may have studied. He is first documented in Leuven in 1457 and worked there until his death in 1475. Bouts was among the first northern painters to demonstrate the use of a single vanishing point
Domenico Morelli
Italian, 1826-1901,Italian painter and teacher. Unique among his Italian colleagues in enjoying an international reputation in his lifetime, he was, with Filippo Palizzi (see PALIZZI, (2)), the leading exponent of the Neapolitan school of painting in the second half of the 19th century and a major figure in the artistic and cultural life of Italy. His realistic treatment of Romantic subjects revitalized academic painting,






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